La muerte definitiva de Pedro el Largo

..Edición: Mabel Cuesta y Laura Ruiz Montes. Diseño web: Abel G. Fagundo
..Se ve mejor en 800 X 600... http://www.mireyarobles.com / http://www.mireyarobles.miarroba.com
Novelas Poesias Cuentos Reseña Autobiográfica Bibliograf�Pasiva Una mujer y Otras Cuatro La muerte definitiva de Pedro el Largo Hagiografía de Narcisa la Bella Mireya Robles Muestra de Obras Hagiograf�de Narcisa la Bella La muerte definitiva de Pedro el Largo Una mujer y Otras Cuatro Galer�Pictorica Galer�Pictorica Tiempo Artesano Galer�de fotos Tiempos Artesano Obra P�orica Cr�ca a su obra P᧩nas de Literatura

Invitamos aquí a acercarse a la  obra de Mireya Robles (Cuba, 1934). Un lugar donde el sentido de plenitud y grandeza que debe habitar a una artista que lo sea, toma especial forma en las palabras que la poseen, en el color donde se asientan escritura y mirada. Poeta, novelista, ensayista y pintora; puede ser considerada como una de las voces más sólidas, orgánicas y lúcidas de la literatura cubana del siglo XX. Una voz que se extiende, de manera explícita, en una larga galería de acuarelas, óleos y tintas; ilustrando lo más fielmente posible aquello que en su ingenio de palabras también encontró curso. Mostrarla al universo de lectores, investigadores y teóricos de las artes plásticas y literarias que visita la red de redes, se antoja un gesto necesario, imprescindible.

El expresionismo como envoltura formal y el existencialismo como sustrato primero son algunas de las claves con que Robles pinta y matiza su  realidad. Pintar quiere decir dejarse el cuerpo en pa la bras y pátinas sobre hojas; sobre cartulinas y lienzos que se agitan y encuentran su trascendencia cuando la mágica  artífice se posa sobre ellos. Aquí Mireya Robles, detiene vuelo, hace una estancia para que pueda ser observada, valorada o simplemente vivida por los otros.

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